Interview: Bruno Mogul Gallegos, "I Slipped."

 

I Slipped, an art installation constructed on campus by student, friend, dancer, lover of live, and all around gem, Bruno, while sadly no longer displayed (yes, catch me featuring unseeable art, sorry) hung in the Carpenter Center on campus last semester. I photographed the work for Bruno in an attempt to preserve the movement and functionality of the piece before it got torn down (haha, because it's made mostly of fabric). Anyway, here's the low down, straight from the artist's mind and pen:

“I slipped” (or at least that was the title a couple months ago) is a three-dimensional representation of a two-dimensional recording of movement. After working with charcoal drawings that documented dance, I decided to reiterate one of those drawings in three-dimensional form.

This is the fifth iteration of it—wood, iron, resin, wire, and plastic were all involved at one point or another, but they were not the right materials. The skeleton is made by a couple pieces of hand-bent steel that were welded together. The leg at the bottom is a plaster cast of my own the was cracked in half and glued back together, and I used dyed chiffon as the body of the sculpture. It hangs from a single point and the fabric flows freely except for the anchor points, which means that light touch and wind can make it move and spin. The sculpture dances.

What I enjoy most about it is its asymmetry, given that it is the result of what is supposed to be a symmetrical movement. The leg cast is en pointe which alludes to dance, and the flowing fabric wrapping around the cast as the piece spins creates a sense of freedom and movement which comes with dance but is recreated with inactive materials in this case.

I see people interacting with it by gently touching or pushing it around, although my friends have been reluctant to do so at first. I guess looking at it is nice too. As a VES concentrator, I was lucky to continue my research of bodily movement and its reverberations through different materials as part of classwork. It was a fulfilling project and I’m excited about future exploration and potential collaborations with other media!

Having been able to interact with the work myself, I felt seamlessly (another fabric pun) connected to Bruno's unique movement, while also able to inject the movement of my own body interacting with the work. The wire is surprisingly heavy, and pushing my weight against it reminded me of the juxtaposition of the weightlessness and immense effort of dance. Kudos, Bruno on this stellar piece! Now put down your phone or your computer and enjoy the freshness of the day outside! 

 
Maia Leandra